By What style of jazz is Miles Davis Kind of Blue?
Modal jazz
| Kind of Blue | |
|---|---|
| Released | August 17, 1959 |
| Recorded | March 2 and April 22, 1959 |
| Studio | Columbia 30th Street (New York) |
| Genre | Modal jazz |
What genre of jazz is Kind of Blue?
Jazz
RockVocal/Easy Listening
Kind of Blue/Genres
Why did Miles Davis write Kind of Blue?
Davis wanted to capture the musicians’ spontaneity — and he wanted to capture it on the first take. The first tune recorded, “Freddie Freeloader,” is representative of the “first take” magic on the record, and it features the happy, swinging playing of pianist Wynton Kelly, who had recently joined Davis’ sextet.
Is Miles Davis So what cool jazz?
Cool jazz, a style of jazz that emerged in the United States during the late 1940s. The term cool derives from what journalists perceived as an understated or subdued feeling in the music of Miles Davis, the Modern Jazz Quartet, Gerry Mulligan, Lennie Tristano, and others.
Why is kind of blue so special?
Kind of Blue popularized a new approach to improvisation. Rather than basing its five tunes on a rigid framework of changing chords, as was conventional for post-bop music, Davis and Evans wrote pieces with a more limited set of scales in different modes.
Why is Kind of Blue so special?
Who is the most popular cool jazz musician of all time?
Miles Davis
Miles Davis, the trumpeter whose lyrical playing and ever-changing style made him a touchstone of 20th Century music, has been voted the greatest jazz artist of all time. The musician beat the likes of Louis Armstrong, Ella Fitzgerald and Billie Holiday – all of whom made the top 10.
Who is famous for free jazz?
Five Famous Free Jazz Artists and Performers
- Ornette Coleman. Coleman began playing alto and tenor saxophone as a teenager in Los Angeles in the ’50s and was soon playing in dance bands and rhythm-and-blues groups.
- John Coltrane.
- Cecil Taylor.
- Eric Dolphy.
- Albert Ayler.
Why is Kind of Blue so famous?
It sounds (hence the album’s title) kind of blue. So Kind of Blue sounded different from the jazz that came before it. It opened up a whole new path of freedom to jazz musicians: Those who had something to say thrived; those who didn’t, noodled.